A few years later, my dad, an old timer in his own right, was sitting in the waiting room of his cardiologist at RUSH University Medical Center and who should walk in but none other than Studs Terkel. He sat down and started chatting with my dad. "You're Studs Terkel," my dad said in amazement. "Last time I checked," replied Terkel. It turns out they, and Studs' son, all had the same doctor.
Friday, October 31, 2008
Studs
A few years later, my dad, an old timer in his own right, was sitting in the waiting room of his cardiologist at RUSH University Medical Center and who should walk in but none other than Studs Terkel. He sat down and started chatting with my dad. "You're Studs Terkel," my dad said in amazement. "Last time I checked," replied Terkel. It turns out they, and Studs' son, all had the same doctor.
Don Baum Says Chicago Needs 1922 - 2008
UPDATE: There is a memorial exhibition on view at the MCA until January 25th.

Don Baum • Sphinx • 1991 • "Sandwich" series • found paint by number painting/construction • 16 x 20 x 1 inches • Carl Hammer Gallery
Iconic figure of Chicago's Hairy Who heyday Don Baum has died. Artforum.com has the story.
> OBIT
> EXHIBIT
Don Baum • Sphinx • 1991 • "Sandwich" series • found paint by number painting/construction • 16 x 20 x 1 inches • Carl Hammer Gallery
Iconic figure of Chicago's Hairy Who heyday Don Baum has died. Artforum.com has the story.
> OBIT
> EXHIBIT
Tuesday, October 21, 2008
Patrick W. Welch
An artist, a colleague, a mentor and friend has died. I don't have anything else to say right now other than how sad I am, and what a loss it is to the practice of making little things that insulate us from the unbearable harshness all around, little things we sometimes call art.

Patrick W. Welch • Last Page • 2008 • enamel & acrylic on panel • 3 x 5 inches • gescheidle projects
His emails always closed with, "getting away with it since 1965." Perhaps that is a fitting epitaph:
Patrick W. Welch, Getting Away With It 1965 - 2008.
Patrick W. Welch • Last Page • 2008 • enamel & acrylic on panel • 3 x 5 inches • gescheidle projects
His emails always closed with, "getting away with it since 1965." Perhaps that is a fitting epitaph:
Patrick W. Welch, Getting Away With It 1965 - 2008.
Monday, October 06, 2008
Opening this Friday
For a little promotion in my own self interest, a show I have been working on is opening this Friday:

REVOLUTIONS
Opening reception: Friday, October 10: 6:00 – 9:00 pm.
October 10 —November 1, 2008
Artists include Amy Babinec, Matt Metzger, Kimmy Noonen, Dan Paz, Nessie Ruiz, Mike Schuh, Marilyn Volkman & Erik Wenzel
Curated by isthmus
Ferris Gallery
5228 S. Harper Ave
Chicago IL 60615
Hosted by DOVA temporary
Presented here is an array of artists creating work in a variety of media that playfully addresses the concept of "revolutions," resulting in a multiplicity of interpretations: abstract, formal, technological, social and political. One goal of this project seeks to establish a curatorial tradition based on continuous change, rotation and re-figuration. Ferris Gallery points not only to the revolutionary LA space, but also the great wheel in Hyde Park, both of which sought to signal their locale as a cultural destination. As a whole, isthmus presents a negotiable set of constraints regarding the notion of "revolutions" and its contemporary context.
>EXHIBITION WEBSITE
>OPEN PRACTICE COMMITTEE as seen in Artforum
REVOLUTIONS
Opening reception: Friday, October 10: 6:00 – 9:00 pm.
October 10 —November 1, 2008
Artists include Amy Babinec, Matt Metzger, Kimmy Noonen, Dan Paz, Nessie Ruiz, Mike Schuh, Marilyn Volkman & Erik Wenzel
Curated by isthmus
Ferris Gallery
5228 S. Harper Ave
Chicago IL 60615
Hosted by DOVA temporary
Presented here is an array of artists creating work in a variety of media that playfully addresses the concept of "revolutions," resulting in a multiplicity of interpretations: abstract, formal, technological, social and political. One goal of this project seeks to establish a curatorial tradition based on continuous change, rotation and re-figuration. Ferris Gallery points not only to the revolutionary LA space, but also the great wheel in Hyde Park, both of which sought to signal their locale as a cultural destination. As a whole, isthmus presents a negotiable set of constraints regarding the notion of "revolutions" and its contemporary context.
>EXHIBITION WEBSITE
>OPEN PRACTICE COMMITTEE as seen in Artforum
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